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Marc Jacobs Spring 2022 Ready-to-Wear Collection

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In June 2021, Marc Jacobs returned to the New York runway by building shapes up with puffers and twills and layered knitwear and then, magically and methodically, stripping them away. His elongated, bulbous shapes turned rail-thin models into monoliths, statues of a hulking beauty that was all lashes and platforms. For his follow-up collection, Jacobs peels back even more, cutting up and recomposing the ideas from that June collection.

With just 10 looks modeled by a veritable A-list, from Bella Hadid to Anok Yai, the collection hangs on the idea of destruction. Cargo pants are cut up and remade into skirts. Jacobs’s new monogram is shredded into fringe that spider webs around torsos and trails along the floor. The plastic paillettes, worn by Meryl Streep on the red carpet, are strung into belly chains and adornments. This interstitial collection is not intended to introduce new ideas but rather to further the message lurking in Jacobs’s mind of late: One of looming, semi-threatening models with a post-apocalyptic edge.

These lookbook images were released, unannounced, with i-D magazine, where Jacobs’s stylist Alastair McKimm is editor-in-chief. The pictures were photographed by McKimm’s wife Amy Troost. Jacobs has always kept a small, close-knit community, a “Champagne for my real friends, real pain for my sham friends” sort of spirit. When these pictures hit Instagram at the start of London Fashion Week, the fashion world’s ears pricked up. What does Marc Jacobs have to say? He promises a runway return soon. We’ll be all ears and eyes.


In June 2021, Marc Jacobs returned to the New York runway by building shapes up with puffers and twills and layered knitwear and then, magically and methodically, stripping them away. His elongated, bulbous shapes turned rail-thin models into monoliths, statues of a hulking beauty that was all lashes and platforms. For his follow-up collection, Jacobs peels back even more, cutting up and recomposing the ideas from that June collection.

With just 10 looks modeled by a veritable A-list, from Bella Hadid to Anok Yai, the collection hangs on the idea of destruction. Cargo pants are cut up and remade into skirts. Jacobs’s new monogram is shredded into fringe that spider webs around torsos and trails along the floor. The plastic paillettes, worn by Meryl Streep on the red carpet, are strung into belly chains and adornments. This interstitial collection is not intended to introduce new ideas but rather to further the message lurking in Jacobs’s mind of late: One of looming, semi-threatening models with a post-apocalyptic edge.

These lookbook images were released, unannounced, with i-D magazine, where Jacobs’s stylist Alastair McKimm is editor-in-chief. The pictures were photographed by McKimm’s wife Amy Troost. Jacobs has always kept a small, close-knit community, a “Champagne for my real friends, real pain for my sham friends” sort of spirit. When these pictures hit Instagram at the start of London Fashion Week, the fashion world’s ears pricked up. What does Marc Jacobs have to say? He promises a runway return soon. We’ll be all ears and eyes.

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